Anyone can launch a token. Not everyone can make a movie.
Filmplit is the launchpad where every market starts with real creative work. AI filmmakers premiere a trailer, fans back the movies they believe in, and every trade helps fund the film. Less noise. More signal. Stories worth backing.
Built for AI filmmakers with taste, and for backers who'd rather pick a story than a ticker.
Today's launch-anything platforms let anyone mint a token in seconds, for almost nothing. The result: tens of thousands of new coins a day, most built on nothing but a ticker and a meme.
When launching costs nothing, nothing filters the noise. Rugs, bots and copy-paste coins drown out anything real. Traders aren't discovering projects — they're pulling a lever and hoping.
Traders aren't the only ones who lose. Real creators with real ideas get buried under the noise, with no way to prove they're different.
That isn't a market. It's a lottery — and the ticket says nothing about what you're buying.
On Filmplit, you can't launch with a logo and a ticker. You launch with a movie. That one rule changes everything.
Taste is the minimum bar. A trailer shows you what a creator can actually do — their eye, their storytelling, their ambition. Before you back anything, you've already seen the work.
The movie is how you discover. You're not scrolling contract addresses. You're watching trailers and picking the worlds you want to see more of.
Reach is built in. A great trailer travels far beyond crypto — social feeds, film fans, mainstream audiences. Every view is a potential new backer.
Value comes from shipping. Markets move when creators deliver new scenes, episodes and releases — not when someone buys a bot.
Trust you can see. Every creator builds a public record: projects premiered, releases delivered, optional ID verification. Bad actors can't hide behind a fresh ticker, and great creators get credit that compounds.
No trailer. No token. Memecoins run on hype. Filmplits run on hype backed by work.
Old way: Make it → Post it → Hope. Filmplit: Pitch it → Market it → Build it.
Premiere. A creator launches with a trailer — their pitch to the world. No finished film needed. Just enough to make you want more.
Opening Night. The movie's own token goes live, like $NEON for a film called Neon Gods. Fans can back it, hold it and trade it.
Production. A slice of every trade goes straight to the creator to keep building.
Now Playing. Creators release chapters, episodes and sequels. Every release gives the market a new reason to care.
Watch it get made. Every Filmplit has a live Production Feed — concept art, voice tests, new scenes, release dates. You're not just watching a chart. You're watching a world being built.
Creators stay in charge. Fans can vote on fun stuff like the official poster. The director still decides the story.
$1M traded = $10K for the movie. As long as people keep trading, the creator keeps getting funded.
1% to the creator — paid in usable currency like SOL or USDC, so creators never have to sell their own token to pay for production.
1% to Filmplit — and half of that buys $PLIT on the open market and burns it forever.
Built-in accountability: until a creator releases their first real installment, half of their share is held in a reserve. Ship the movie, unlock the reserve. No five-second clips calling themselves “Part One.”
Memecoins burn out in hours. A Filmplit can keep growing for years — sequels, new seasons, spinoffs, prequels. Every new release is a fresh reason to watch, back and trade.
In Production → Now Playing → Continuing. If a project goes quiet, it's marked Dormant, and it can always be Revived. There's no status called “Finished.”
Creative purpose isn't a limit on the market. It's how the market grows.
For independent filmmakers: a new way to get funded without a studio's permission. Show your taste, build an audience, get paid to keep making the thing you love — and build a public track record that follows you to every future project.
For the token ecosystem: a reason to exist beyond the next pump. Every Filmplit brings a story, a creator and an audience that doesn't live on crypto Twitter. Movies pull in new people. New people bring new liquidity.
For backers: something real to judge. Watch the trailer. Check the creator's record. Follow the Production Feed. Decide with your eyes open.
Memecoins proved people love to speculate together. Filmplit gives that energy something worth building.
The blockchain powers Filmplit. It doesn't run the show. We dropped the degen slang and replaced it with the language of film.
FOR CREATORSWe're hand-picking the first wave of AI filmmakers for our Closed Backlot. Bring a trailer and a vision. We'll give you a market, a funding stream and an audience that's invested in what you make next.
Half of Filmplit's fee revenue buys $PLIT and burns it forever. More movies → more trading → more $PLIT bought and burned.
A movie token = a bet on one movie.
$PLIT = a bet on Filmplit itself — every movie, every creator, every trade.
Filmplit Originals. We make our own movies too, including projects with celebrities and big-name creators. Originals don't get their own tokens — every one of them builds $PLIT. Their audiences come for the movie, then discover everything else on Filmplit.
What $PLIT unlocks: potential value growth as Filmplit grows, with more utility added as the platform matures.
No. Every Filmplit needs a real trailer to launch, projects are screened for stolen work and shady token setups, and creators earn by shipping — not by hyping.
No. You own the token, not the film or its rights. The token is the market around the movie.
No. A trailer is enough to premiere. Releasing the first real installment unlocks the rest of their funding.
Half their early earnings sit in a reserve until they deliver a real first release. And their public track record follows them to every future project.
No. It's built to feel like browsing movies, not a trading terminal.
We're building now, starting with a hand-picked group of creators. Join the waitlist to be first in.